He raised his eyes to hers. The shadow that, to her fancy, had always rested there seemed to have departed. A light had come to them. She turned abruptly and walked rapidly away. Joan moved instinctively in the opposite direction, and after a few minutes found herself in a broad well-lighted thoroughfare. A newsboy was shouting his wares.!

“Or keeping out of it altogether,” added Joan. He told her how one spring, walking across a common, after a fire, he had found a mother thrush burnt to death upon her nest, her charred wings spread out in a vain endeavour to protect her brood. He had buried her there among the blackened thorn and furze, and placed a little cross of stones above her.

“I called at your diggings,” he said. “I had to go through London. They told me you had started. It is good of you.” She introduced her. Miss Tolley bowed; and allowed herself to be drawn away by a lank-haired young man who had likewise been waiting for an opening. He represented the Uplift Film Association of Chicago, and was wishful to know if Miss Tolley would consent to altering the last chapter and so providing “Running Waters” with a happy ending. He pointed out the hopelessness of it in its present form, for film purposes. “To the poor?” the old man almost shrieked. “To the poor that he has robbed of all power of resistance to oppression by his vile, submissive creed! that he has drugged into passive acceptance of every evil done to them by his false promises that their sufferings here shall win for them some wonderful reward when they are dead. What has been his teaching to the poor? Bow your backs to the lash, kiss the rod that scars your flesh. Be ye humble, oh, my people. Be ye poor in spirit. Let Wrong rule triumphant through the world. Raise no hand against it, lest ye suffer my eternal punishments. Learn from me to be meek and lowly. Learn to be good slaves and give no trouble to your taskmasters. Let them turn the world into a hell for you. The grave—the grave shall be your gate to happiness.